Sulamith Tamborriello
A chimeral duet towards the end of time documents a year-long trans-species collaboration with a slime mould, transforming care, interdependence and vulnerability into an artistic methodology.
An exhibition about living on the threshold and the rituals we improvise to stay there when there is no other side to reach.
A constellation of contemporary artistic responses to vulnerability, transformation, resilience, memory, technology, ritual and survival.
SURVIVAL RITUALS gathered artists working at the edge of a shared condition: living suspended between a world that is failing and one that has not yet arrived.
Drawing on anthropologist Victor Turner’s theory of liminality — the state of being “betwixt and between” — the exhibition treated the threshold not as a temporary passage, but as a place of habitation.
The body became the clearest site of this condition: wired into systems, shaped by screens, dependent on the machine yet hungry for what it cannot give. Each artwork functioned as a ritual in itself — a small, complete gesture of survival.
“We are no longer passing through a crisis; we are learning to live inside one.”
A chimeral duet towards the end of time documents a year-long trans-species collaboration with a slime mould, transforming care, interdependence and vulnerability into an artistic methodology.
Sculptures developed between mathematics, algorithmic thinking and material reality preserve the memory of structures under pressure and ask how form survives continuous transformation.
Safe Space — a full-body suit made from 24,000 brass needles — holds protection and threat in a single luminous, untouchable form.
Rebgasse 31, 4058 Basel, Switzerland
15–21 June 2026
Admission was free with registration.
Monday: 11:00–20:00
Tuesday–Saturday: 13:00–20:00
Sunday: 13:00–18:00
A contemporary art institution in Kleinbasel presenting gallery- and museum-scale exhibitions across the full spectrum of contemporary media.
Conceived and curated the exhibition, developed its public programme and brought together artists from Europe and the United States.
A women-led New York platform supporting artists and meaningful international cultural collaboration.
Rather than treating crisis as something to pass through, SURVIVAL RITUALS takes the threshold itself as a place of habitation. It considers how we remain present when familiar coordinates collapse, and how artistic practice can create temporary structures for endurance, attention and connection.
The body becomes the clearest site of this condition: vulnerable and adaptive, intimate and political, wired into systems and shaped by screens. Across painting, sculpture, installation, photography, film and performance, the participating artists approach survival not as a single heroic act, but as a sequence of gestures repeated until they become a way of living.



Each work operates as a ritual: a method of holding a position, processing memory or negotiating an unstable present. Together they form a constellation rather than a sequence. The exhibition moves between tenderness and defence, exposure and concealment, repetition and transformation.

Presented at Basel Art Center during Basel Art Week 2026, the project brought together 31 artists from six countries. The exhibition unfolded through artworks, performance, film and conversations, transforming the space into a living environment in which individual experiences could meet without being reduced to a single narrative.
SURVIVAL RITUALS looks forward by asking how survival can become a collective cultural practice—built through memory, imagination, care and artistic exchange. It insists that remaining present is already an action, and that new meanings can begin to form precisely where certainty has disappeared.